We stayed in a modern room with one queen and one twin bed. I want to note too that the staff's helpfulness and positive attitudes we're shining even through some huge COVID staffing challenges in town. As far as a motel goes, this is about as good as it gets. Would certainly stay again! I managed to snatch the very last room, a Heritage room, via a very last minute same-day booking. At the reception, the lovely lady checking me in noticed I was a little rattled and I explained it was quite an eventful afternoon long story short, we were supposed to stay in Portland for the night but the accommodation there was beyond dirty so we decided to book something else. She wish I remembered her name! It was such a lovely gesture and so incredibly appreciated.
After us is the exhibition's attraction, a huge wall work combining aspects of our private collections, constructed with consummate skill as a result of Carole Wilson and Shane Jones. Photo credit: Ren Gregoric. Carole Wilson and Shane Jones At the same time as Carole and Shane beavered absent on the wall work, Loris, Louise and I set a propos arranging additional collection objects after that artworks in one of two large display cabinets. On the middle shelf above and beneath, pages of my unbound actor book, Leaves of Absence, are paired with the hand decorated Eucalyptus leaves that were the basis for the artwork, all together with the antique flower presses in which the leaves were pressed and dried.
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